Sentence examples for principle of contrast from inspiring English sources

for tutti and soli (soloists) groupings, and, indeed, the tutti soli principle of contrast still operates strongly in the classical symphonies of Haydn and Mozart.

Its principle of contrast is rooted in late Renaissance developments such as the multiple choirs of Venice and the change in musical aesthetic toward greater emotional expressiveness.

For this reason their specific form does not depend, as did that of the Classical sonata, on the exposition development recapitulation principle of contrast, conflict, and reconciliation of keys.

As in the time of Haydn, Mozart, and Beethoven, success will continue to reward those who develop musical forms that grow naturally from the specific principles of composition used in their works, much as the sonata form grew out of the principle of contrast, conflict, and resolution of tonalities that characterized the sonatas, symphonies, and chamber music of the 18th and 19th centuries.

Gluck's great French "reform operas" are more strongly governed by the principle of contrast than are the Italian works; the declamatory style of the vocal line is more marked than in the Viennese operas, and the power and orchestral colour are more intense.

In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays".

The term occasionally refers to a symphony utilizing the principles of contrast and melodic interplay between instrumental groups that characterizes the concerto grosso.

The underlying principles of contrast harmonic imaging are as follows: when exposed to ultrasound beams, microbubbles in the contrast agent are disrupted or resonate and release many harmonic signals [ 14].

The result is based on contrasting themes, rather than on the Classical sonata principle of key contrast, because 12-tone music, being atonal, deliberately avoids the creation of a sense of key.

(The latter, though it shared with sonata form such elements as the central principle of key contrast, was a medium that evolved, through the Baroque concerto grosso, from the fundamentally different source of the solo vocal aria and the vocal-instrumental concerto).

The principle of the contrast agent is that it is targeted to fibrin.