Sentence examples for principal picture from inspiring English sources

Exact(1)

Hazlitt's other works during this period of prolific output included Sketches of the Principal Picture Galleries in England (1824), with its celebrated essay on the Dulwich gallery.

Similar(59)

At one Orthodox school, Ramaz School on the Upper East Side, RABBI HASKEL LOOKSTEIN, the principal, pictured, said enrollment had increased to 1,084 students today, from 750 students a decade ago.

His Lectures on Decorative Art and Art Workmanship (1876) was followed by the progressively published series Notes on the Principal Pictures in such continental collections as the Brera (1883) of Milan, the Louvre (1883), and the Royal Gallery (1888) in Venice.

Also present was the original negative of D. W. Griffith's Way Down East (which Fox had purchased with the intent of remaking), the negative for the controversial Christie Productions sponsored film The Birth of a Baby, and films by smaller studios such as Atherton Productions, Peck's Bad Boy Corporation, Principal Pictures, and Serial Producing.

Three principal clinical pictures have been recognized: acute intrahepatic cholestasis, hepatic crisis, and lithiasis [ 1- 4].

After a while, we get the point: because children are the principal audience, the picture needs a PG-13 rating.

In "DAYS OF HEAVEN," his second film, released in 1978, after which he disappeared for 20 years, Mr. Malick and NÉSTOR ALMENDROS, the principal photographer, created pictures that had the texture of pigment on canvas.

Levin never published an autobiography, but his book Enthusiasms, published in 1983, consists of chapters on his principal pleasures: books, pictures, cities, walking, Shakespeare, music, food and drink, and spiritual mystery.

As he clutched a Budweiser and took in the scene in his giddy clubhouse Sunday night, the Cardinals' principal owner, Bill DeWitt, could picture his superstar returning.

Claude Monet said of impressionism, the movement he founded and led: "Light is the principal person in the picture".

Stokes's theory was that art should be carved and static rather than moulded and rhythmic, so that the principal figures in the picture may stand out distinctly in a stillness which invites contemplation.

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