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Leland was struck by this cosmogony: "In all other Scriptures of all races, it is the male... who creates the universe; in Witch Sorcery it is the female who is the primitive principle".
Furthermore, the primitive principle of harmonicity appears to explain CMP in adults' responding, at least to a small extent.
Thus, at least one primitive principle of auditory grouping appears an unlikely candidate to explain this strong perceptual integration in children.
In particular, it seemed possible at the conclusion of this first experiment that adults might rely strongly on what Bregman (1990) terms a schema-based principle of auditory grouping but that children might depend strongly on a primitive principle.
If this was done and children showed drastic reductions in their CMP effects, the hypothesis would be supported that children's demonstration of CMP in this first experiment depended on a primitive principle, but adults' CMP did not.
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Distribution network design (DND) is one of the primitive principles in establishing a successful SC.
Gordon (1997) tested two primitive principles as possible explanations for CMP in adults' perception of speechlike stimuli.
Children already did so, suggesting that their enhanced perceptual integration might be explained by primitive principles of auditory grouping.
Primitive principles of auditory grouping are those arising from the structure of the sound source itself, such as the harmonic relationship among spectral components.
Primitive principles of auditory grouping are those arising from the structure of the sound itself, and Bregman suggests that these principles can be invoked by listeners in the absence of experience, or learning.
In order to test the hypothesis that children's outcomes might reflect primitive grouping principles while adults' results demonstrate learned schemas, it was necessary to design stimuli that explicitly disrupt one of the primitive principles known to facilitate perceptual grouping of sounds, but without diminishing adults' demonstration of CMP.
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