Sentence examples for primal images from inspiring English sources

I kept having these primal images; just quite strange landscapes and shapes I couldn't shake.

"I decided to concentrate on two primal images from the play: the tempest itself — the storm and shipwreck and its aftermath — and the strange moody island full of spirits," Mr. Salle said in an e-mail.

Primal Images Stan Brakhage describes his work as "independent personal filmmaking," and he has been at it for nearly 50 years, producing classics like "Window Baby Water Moving" and "Scenes From Under Childhood".

These primal images are, in fact, archetypes, which is why they have been very useful in the design of universally understood pictograms for lavatories; such archetypal imagery also informs the design of a plethora of signs found, for example, in international airports and major railway stations: for restaurants, cafes, bars, lifts, escalators and so on.

The primal image of an adult's potential for cruelty toward children was stamped on my 12-year-old brain by Christina Crawford's account in "Mommie Dearest" of being forced by her glamorous mother to scrub vast expanses of floor with a toothbrush.

Nonetheless, news of the reopened vault stirred up a sort of primal excitement: images of Scrooge McDuck swimming through piles of gold coins under Broad Street.

Suddenly, he's a primal American image — awkwardly iconic, with a creased-leather face from a Depression photograph — and he gives a great, selfless, and heartbreaking performance that completely dominates this elusive but powerful movie.

He used the series to challenge the "primal... gut instinct" of homophobia by introducing homosexual imagery in contrast to the heterosexual "fundamental image of life, of family, of childhood, [and] of survival".

But it is well suited to Shelley, whose poems return again and again, as it were compulsively, to a few primal scenes and images.

In the meantime, the simplicity and spontaneity of "Thou Wast Mild and Lovely" offers the primal renewal of the image, an image that emerges in the immediate form of the filmmaker's emotional impulses.

Luke Joerger and Anthony Paris offer a kind of primal scream filmmaking, accompanying images of the burning buildings with raw, hysterical commentary.