Sentence examples for presentation of world from inspiring English sources

MacGregor will also consult on another "presentation of world cultures" project in Mumbai.

Electrifying a dreary Saturday night's viewing on BBC2, his was not a simple celebration or presentation of world music.

The second aim is to propose an alternative to the current development model and reject the presentation of world free trade as a panacea and a miracle cure for everything.

In Sartre's words, every "imaginary presentation of the world" is an act of "a" freedom speaking to "other" freedoms about possible ways of engaging freedom in the world.

The Trial is deeply thought-provoking in its uncomfortable presentation of a world where people are observed by secret police and suddenly arrested, reflecting the social turmoil in Europe around the time Kafka wrote it in 1914.

The company's highly evolved specialty is the presentation of a world in which images and words -- endlessly repeated, appropriated and scrambled through the mass media and technology -- have been divorced from their original contexts.

These scenes had looked likely to overshadow its more sensitive moments of young romance and Bressonian upset, and when Escalante, speaking to the Guardian, confessed being taken aback at the "cowardly" reaction of the critics to what he felt was a realistic presentation of the world of drug gangs in Mexico.

Forging on, Berg joined a cast of blacklisted actors in a TV presentation of "The World of Sholom Aleichem," a show that helped break the blacklist, and went on to triumph on Broadway, winning the 1959 Tony Award for best actress in a play for "A Majority of One".

The media chorus that accompanies each apocalypse speaks of "these people", master impresarios of grief, who tell how shock turns to anger when relief fails to reach them; while at the same time, they detect dignity among those whose lives are rarely portrayed, let alone celebrated, in their ritual presentation of the world.

That this vision of Cape Breton - tending towards a strong monumentalism, strikingly uncomic, and held in a graven, dignified prose that has put readers in mind of Steinbeck - should be the only presentation of this world to be found in MacLeod's stories may alert us to a certain simplicity, even sentimentalism.

But suffice it to say that as you become more enmeshed in this paranoid and persuasive presentation of the world we live in, Jackie (or Dottie, or Renee) becomes slowly more human, less a goddess, in spite of her almost mythic travails.