Sentence examples for presentation of paintings from inspiring English sources

Amid murmurs that the economic crisis was hurting midmarket galleries — an instance of art imitating life, with talk of the 1 percent and a dying middle class — the gallery was doing well, usually finding collectors for two-thirds of the works in each of its exhibitions and selling out the gallery's swan-song presentation of paintings by the Iranian-born artist Marjane Satrapi.

That means that wild experimentation is not on offer, and even the more punk galleries, such as Berlin's Galerie Buchholz and New York's Maccarone, have organized more classical presentations of paintings, sculpture and a bit of photography, streamlined and saleable.

Government offices and schools are buying tickets in bulk and organizing viewing trips in the middle of the workday, and there are officially sanctioned movie review contests, presentations of paintings inspired by the film and group singing of classic Communist songs at cinemas.

The influential painter Jutta Koether, for instance, does not only paint; she also designs the presentation of her paintings, complete with special lighting and ad hoc viewing platforms, and sometimes performs in the gallery alongside them.

The presentation of the paintings in this busy environment is annoying at first.

Portraits are the focus of this solo presentation of drawings, paintings and sculptures, which show off his virtuoso technical skills.

Basically the museum's presentation of American paintings needs a lot more Garbisch works and a lot less of just about everything else.

A Hungarian immigrant who helped organize the Artists Union in the 1930s, Gellert is represented by a generous presentation of lithographs, paintings and illustrations, including his 1931 cover for New Masses magazine.

Mr. Hirst's way has been to push the conventional system of art display and distribution to the breaking point, as in his simultaneous presentation of spot paintings in 11 Gagosian galleries worldwide last year, which pressed people to contemplate the death of art under the deadly reign of capitalism.

Written in an engaging style that invites both specialists and general readers alike, this book will stand as the definitive presentation of the paintings for years to come.

Sydney based gallery Minerva, was showing a solo presentation of remarkable paintings by Hamishi Farah, which wove together art history and ephemeral internet content, such as memes or momentarily notable YouTube videos.