Sentence examples for presentation of graphic from inspiring English sources

The relatively infrequent presentation of graphic character databases limits the utility and appreciation of morphological character matrices, a condition that in recent years has, fortunately, begun to change.

We can thus easily conceive the potential educational benefits of multimedia technology using multisensory presentation of graphic audio and visual materials.

Presentation of graphics from previous visits alongside the most recent response made it possible to identify change over time.

Jeff Gerstmann of Gamespot criticized the Dreamcast version for its limitations, such as the presentation of vector graphics on a low resolution television set, which obscures the copyright text in Asteroids.

In this study, we presented two types of graphic presentations for the results from the GMM analysis: a circular linkage map (Fig.  5) and a combination GM and GMN chart (Fig.  6).

Six projects by Berg, including digital toys, data visualizations (the presentation of information in graphic forms, like charts) and a Web site for the BBC, are featured in the landmark exhibition "Talk to Me: Design and the Communication between People and Objects," running through Nov. 7 at the Museum of Modern Art in New York.

The results thus obtained are correlated and presented in graphic presentation of diagrams, figures and tables.

They may not be able to choreograph the give and take of an actual bout, but they insist on control of every aspect of its presentation: each graphic, each dart of light, each selection of psych-up music, each word and image in the promos of the fighters, each barely clad "octagon girl" who circles the cage holding a number ostensibly meant to remind the forgetful of the round.

For purposes of graphic presentation, the mean values of each data point were then calculated, along with the corresponding standard deviations (SD) from these independent triple measurements.

One of the best, though underrated, things about the FiveThirtyEight site at the New York Times was its presentation of data through graphics, requiring a largely unheralded team of interactive designers to present the detailed information, plus people to ensure the automated feeds of new polling info was fed in.

To determine if time is calibrated differentially as a function of perceived animate or inanimate context, here we used interference paradigms in which a timing task was run concurrently with the presentation of different computer-graphics characters in the background.