Sentence examples for presentation of an object from inspiring English sources

A robust finding among functional neuroimaging studies on visual priming is decreased neural activity in extrastriate and inferior prefrontal cortices for the second presentation of an object relative to its first presentation.

Burge holds that in place of the gap, there is a demonstrative mode of presentation of an object.

However, one can now predicate P of S in two different ways: either by first forming the complex presentation of an object S which is P and then accepting this object, or by first accepting the existence of S and then attributing P to it, thus making the double judgement that S exists and is P.

Here, we investigate the possibility to identify conceptual representations from event-related EEG based on the presentation of an object in different modalities: its spoken name, its visual representation and its written name.

The trial ended with the presentation of an object for 1000 ms. During the inter trials interval the screen was blank for a random period between 800 and 1200 ms. Experimental conditions were differentiated by the auditory portion of the trial.

The paradigm adopted allowed the presentation of an object (sphere or cylinder) based only on the local motion vectors across the object (Singer and Sheinberg, 2008).

The subsequent presentation of a target object (at 1.2 m from the cameras) occluded the fixation ball entirely, and the participants were instructed to fixate on the target object instead.

The ramp-up did not account for prediction of presentation of any object, only the test objects.

"The presentation of any object is more important than that which lies beneath," said Daniel Barker, 27, chief designer for its gift-wrap department.

Conversely, left LO showed a response during both grasping and reaching, but no difference in the magnitude of this response, consistent with its activation to the visual presentation of any object.

According to this view, the presentation of a natural object as an object of aesthetic appreciation counts as an "intentional modification" required for artifactuality (cf. Dickie 1984/1997, 45 46).