On Scotusblog, which provides comprehensive coverage of the court, Lyle Denniston wrote that Mr. Verrilli's presentation left Justice Kennedy in search of a limiting principle to the government's assertion that Congress can require Americans to purchase a commercial product like health insurance.
The day before, William F. Meinecke of the Holocaust Memorial Museum gave a presentation on law, justice and the holocaust.
One reason was that the BBC's black-and-white presentation scarcely did justice to the colorful dream sequences and weird travelogue footage that were centerpieces of the group's charmingly naïve avant-garde romp – its first big project after the release of "Sgt. Pepper's Lonely Hearts Club Band" and the worldwide live broadcast of "All You Need Is Love" six months earlier.
At times, Shakespeare's illumination of his characters' inner life was so strong that Hazlitt believed no stage presentation could do justice to Shakespeare's conception.
In 2002, after almost a century of ignoring its role in the "Sledd Affair," Emory University sponsored a presentation entitled "Professing Justice: A Symposium on the Civil Rights Legacy of Professor Andrew Sledd".
In such statements, he approached the position of Lamb (to whom he dedicated Characters of Shakespear's Plays), who felt that no stage presentation could do justice to Shakespearean drama, that the artifice of the stage interposes a barrier between the author's conception and the audience's imagination.
The lawyer's halting presentation put the justices in a collaborative and lighthearted mood, as they tried to puzzle out for themselves whether the sentence must stand.
Todd would start her presentation with quotes from Justice Kennedy and from Justice Breyer's dissent; she especially wanted to remind her audiences of the sentiment Breyer expressed by quoting former Justice Thurgood Marshall: "Unless our children begin to learn together, there is little hope that our people will ever learn to live together".
Frequently expressing the view that stage presentation could not do justice to Shakespeare's plays, Hazlitt nevertheless also found certain plays eminently actable, and he frequently voices admiration for the performances of certain actors, particularly Edmund Kean.
The potential palette for such a collection seemed so large, unwieldy, and subjective that I wondered how any specific presentation could do it justice; I mean, what is meant by the best, after all?
