Robertson "introduced Gilbert both to the revolutionary notion of disciplined rehearsals and to mise-en-scène or unity of style in the whole presentation – direction, design, music, acting".
Subsequently, on each frame of the stimulus presentation, direction was freshly and independently determined for each object by drawing it from a circular Gaussian distribution, centred on the previous frame's direction.
As a dramatist, his so-called "cup-and-saucer" plays such as Ours (1866) and Caste (1867) depicted the world in a new, fresh, realistic way; and as a director (or stage-manager, as they called it in those days), he introduced Gilbert both to the revolutionary notion of disciplined rehearsals and to mise-en-scène or unity of style in the whole presentation - direction, design, music, acting.
For example, seating where students face one another, such as U-shape or circular configuration, more readily allows for class discussions (Rosenfield et al. 1985; Bonus and Riordan 1998), clustered desks facilitate cooperative group activities (Bonus and Riordan 1998), and classrooms where students are seated in rows result in higher levels of instructor presentation and direction (Martin 2002).
The IGN reviewer felt that the game's presentation and direction are "miles ahead of the competition".
To compare the basic response properties of the OKR between C57BL/6J and 129/SvEv, we have analyzed the effect of contrast, spatial frequency, angular velocity, monocular vs. binocular presentation, and direction of rotation, in each case quantifying the OKR response by determining the average number of ETMs per 30-second stimulus interval.
Kirk Franklin has held on to the gospel message while moving his sound, and his presentation, in the direction of hip-hop and contemporary R. & B., the genres with an increasingly solid grip on the imagination of America's youth.
Fig. 5 (a) A gray scale plot of the magnitude of the electric field and (b) a vector presentation of the direction of the electric field overlaid on the magnetic field (gray bars), obtained from simulation run #1.
The whimsical presentation, under the direction of Joel Smith, features numerous pictures not organized by chronology but by a thematic and visual juxtaposition of art with art.
IGN's review of the Wii version described the game's presentation and art direction as feeling "forced", and, as a result, less visually appealing than previous installments.
A windowless auditorium and a set of presentations where the direction from the organizers to the presenters was "keep it tedious and repeat the information from the day before".
