Sentence examples for present dialogue from inspiring English sources

One of them is to present dialogue without inverted commas, as Joyce did (he hated those marks, calling them "perverted commas"), using a dash instead.

Maier's show, especially, made a point of that past-present dialogue with its models including catwalk irregulars from decades past, like Élise Crombez, Eva Herzigova and Karen Elson.

This passage illustrates Saramago's idiosyncratic way of presenting dialogue, running the speakers together without indentations or quotation marks, the change of speakers indicated by initial capital letters.

Presenting dialogue in a book film brings total attention to the text of the films and for me, the 1950s films is a golden period partly because they were written by writers and poets driven by social concern and compassion".

Because Chan had no computer microphone, the film presents dialogue in English subtitles.

Spacey is distinguished for his Machiavellian character's use of carnivorous metaphors and widely noted for his character's narrative technique of presenting dialogue in a direct address to the audience, a technique known as breaking the fourth wall, both of which are introduced quickly in this episode.

We present "generative dialogue patterns" as a new visual language for designing dynamic dialogues and generating the program code that is necessary to select the appropriate remarks during the dialogue.

It will be curious to see how Mr. Koda and Mr. Bolton present a dialogue between these two women.

On the page, Jokers' Masquerade notes that it is "at present in dialogue with the ASA Copy Advice Teamm'" to find a new way to present the costumes.

The books present the dialogue in four versions – Urdu, Hindi, Romanized Urdu and an English translation and require "about 20 stages of proof-reading," Ms. Kabir said.

In her latest play, the key elements of a nascent Lenkiewicz style are present: the dialogue is quick-fire - "Life is an anagram for file", a file-keeping shrink is told; some scenes are uncomfortable - a suffragette is placed centre-stage and violently force-fed; and the production always slick: billboard-sized TV screens show Emily Davison throwing herself in front of the king's horse.