Sentence examples for present day scene from inspiring English sources

The discovery of the wreck in 1985 and a National Geographic documentary of Ballard's 1986 expedition had inspired Cameron to write a synopsis in 1987 of what eventually became the film Titanic: "Do story with bookends of present day scene of wreck using submersibles intercut with memories of a survivor and re-created scenes of the night of the sinking.

The present day scenes are loaded with terrific actors in smaller roles.

The brief present-day scenes, in which the aging Powell reminisces over drinks and dominoes with the reporter, are full of vivid tropical colors, in contrast with the longer segments from yesteryear, done in more muted tones.

And finally, we learn just why, in the present-day scenes, Cohle and Hart are being interviewed by police: another murder has been committed, the victim this time suspended from a bridge.

And nothing in the present-day scenes matches the horror of the episode where the guilt-wracked Philip seeks aversion therapy to "cure" his physical attraction to other men.

At times though, Hart is surprisingly protective of Cohle, speaking positively of his detective skills in front of the chief of police and, in the present-day scenes, defending his work in front of the investigating officers.

The story cuts, "Godfather II -style, between present-day scenes of Dongo strugglII -styleach a gifted betweenogant Olympic hopeful (the Olympic medalist Kyle sceneslt) and flashbacks tofDongo'strugglingning in CommunistoHungary, where coach athletes were hazed and often physically abused.

In the play's present-day scenes, the setting remains unchanged (the tortoise is now called Lightning), but the house is crowded with scholars who pore over the letters and theorems produced by their predecessors, in a bid, ultimately, to understand themselves.

Flashbacks from his professional heyday are spliced into present-day scenes that show him trapped in the small town of Winthrop, deciding whether its name should be changed to Freedom (the name given it by liberated ex-slaves) or New Prospera (the brainchild of a software tycoon).

The fans seem to love them and it really deepens the relationships and subtext for present-day scenes.

Flitting back and forth between present-day scenes and memories, Boyle and cinematographer Anthony Dod Mantle (their many films together include Slumdog Millionaire) create a sleek, almost photorealist London, with flashbacks and memories so sharp and bright it's deliberately hard to know what's real and what's not.