The text speaking of the "works of the devil" is rendered on repeated notes both in the prelude section as in the fugue section; the destruction is pictured in a twisted, almost snake-like, coloraturas in both sections, but the text "" is graced by a new calm theme that is introduced by the tenor, followed by bass, soprano and alto, only accompanied by the continuo.
McCutcheon soothed the anxieties of the State Building Regulations Committee by persuading them that approval for ICI House need not prelude rampant development: section 214 of the Uniform Planning Regulations entitled the committee to modify rules without amending them.
Nothing showed off this young company better than Graham's 1936 antiwar "Sketches from 'Chronicle,' " led by Elizabeth Auclair — euphoric and a touch wild in the final section, "Prelude to Action" — and Carrie Ellmore-Tallitsch, whose backward walks were as taut as a coiled spring.
Landmann's proposed sonata structure for the movement is based on a division, after an orchestral prelude, into five sections which he identifies musically as an exposition, three development episodes, and a finale.
The only exceptions are sonatas IX XI, which feature three sections: prelude, interlude, and postlude.
Issues connected with the preludes will be discussed in greater detail in section 5 (Preludes in the Laws).
Miki Orihara once again led the evocation of social uprootedness in an excerpt called "Steps in the Street," and Elizabeth Auclair made debuts in both "Spectre-1914," the opening section, and "Prelude to Action," the finale.
These paragraphs appear in the Riverside speech as well, but there they become the prelude to a new section, in which King outlines the history of the war as it might be perceived by a peasant in Vietnam: We have destroyed their two most cherished institutions: the family and the village.
Occasionally — in the quiet section of the prelude from Shostakovich's Prelude and Fugue in D flat (Op. 87, No. 15), for example — Ms. Gulyak showed a capacity for delicacy and introspection.
See also section 5 (Preludes in the Laws) for further discussion.
Another close musical resemblance occurs in the scene of Commodus's triumphal entry into Rome, accompanied by music clearly evocative of two sections – the Prelude to Das Rheingold and Siegfried's Funeral March from Götterdämmerung – from Wagner's Ring of the Nibelungs.
