Sentence examples for preeminent stage from inspiring English sources

As well, Edwards cemented his reputation as a preeminent stage actor and theater manager.

Individually, the two are heralded — Rylance as one of the preeminent stage actors of his generation, and Jenkins as a veteran writer whose work, including the 1996 poetry collection "Nice Fish," has been published to considerable acclaim.

Their first production together was a staging of Franz Xaver Kroetz's "The Nest". At the same time, a Theatre Communications Group early-career grant enabled her to form an apprentice relationship with L.A.-based Robert Israel, one of the world's preeminent stage designers.

He sought out mentorship from two preeminent investors in seed-stage deals: Ron Conway (ranked No. 43 on this year's Midas List) and Steve Anderson (No. 4), who helped Singerman find his first major win in Heroku, which Salesforce acquired for $212 million in 2010.

Through closed meetings and opaque processes, the G20 has become the central forum for crisis management by Western governments, freezing out the United Nations to emerge as one of the preeminent players on the global economic stage.

Homeland Security Secretary Jeh Johnson said that although officials have no information that the extremists' plan to attack the United States, the militant group wants "to be the preeminent terrorist organization on the world's stage".

Sondheim is the preeminent [End Page 627] composer/lyricist of the American stage and is so influential that New York Magazine once ran a cover story that dared to ask the question, "Is Stephen Sondheim God?" The answer is not as definitive as one might expect.

In some pageants, the staged presentation or dramatic storytelling is completely preeminent over simple spectacle and crowd-pleasing display.

She was thereafter established as the preeminent contralto in both concert and opera on the American stage and perhaps in the world.

actress and, with Maurice Barrymore, founder of the famous stage and screen family Barrymore, which occupied a preeminent position in American theatre in the first half of the 20th century.

In this stage of his work Nishida, influenced by Fichte and Schopenhauer, considered "absolute will" as the preeminent form of self-awareness and saw it as the source of acts of moral decision and of the creation and appreciation of art.