Sentence examples for praise writing from inspiring English sources
Butina responded with praise, writing in an email to Gordon that he "looked very good" and had appeared smart and comfortable in the television appearance.
Only the Guardian's Alexis Petridis seemed to offer much in the way of praise, writing: "compared to We Will Rock You, it's a work of untrammelled genius".
In the Times, Bosley Crowther damned it with faint praise, writing that "Hitchcock, an old hand at frightening people, comes at you with a club in this frankly intended bloodcurdler"; he found it "slowly paced" and referring to its "old-fashioned melodramatics, however effective and sure".
The Mirror's Chris Hunneysett was full of praise, writing: "This supersonic biopic of Freddie Mercury allows rock band Queen to claim their rightful crown as the champions of the box office". He urged cinemagoers to "see this at the venue with the biggest sound system".
Entertainment Weeklys Bob Strauss offered the game effusive praise, writing: "If you liked playing with toy soldiers as a kid, you'll think you've stepped on a land mine and gone to heaven".
Stephen Holden from The New York Times gave the song praise, writing "with 'Fantasy,' Ms. Carey glides confidently into the territory where gospel-flavored pop-soul meets light hip-hop and recorded some of the most gorgeously spun choral music to be found on a contemporary album".
In the top 10 factors, there were four types of praise: personal praise, written praise, public praise, and electronic praise.
"Praise," written by Keith Hampton only 15 years ago, comes out of the African-American tradition, and will require the singers to switch into a drastically different vocal mode.
In 1827, one singer was criticised for her diction: "If her pronunciation were as pleasing as her notes, she would be entitled to unqualified praise" wrote a critic in 1827.
These include vocal praise, written praise notes, prize bowls, and public posting of feedback about the rate of a targeted behavior.
They were self-created Buddhas who spat forth their mantras, Ginsberg himself praising writing for its improvisation, far-outness, and bop.
