Sentence examples for practices of artists from inspiring English sources

Together they unfurl into a stimulating discussion about the motivations and practices of artists.

This is the fourth iteration of the Hammer's biennial exhibition, continuing to highlight the practices of artists working throughout Los Angeles and the surrounding area.

This is the fourth iteration of the Hammer's biennial exhibition, continuing to highlight the practices of artists working throughout Los Angeles and the surrounding areas.

Over the past few years, the art world has been throwing around the term "post-Internet" to describe the practices of artists who use the Web as the basis for their work but don't make a big deal about it.

The exposure to the incredible image practices of artists and scientists prompted PROPS PAPER, an experiment in publication as a medium to explore critical spatial ideas in various fields of knowledge.

In retrospect, however, and as the etymology of the terms "naive," "primitive," "self-taught," and "outsider" art have demonstrated, these genres have a lineage that was part of the "modernist" canon itself in that, as definitions, they were constructed to clarify each other as descriptive terms to understand the practices of artists during a given historical time.

Artist groups Moot, Reactor and Stand Assembly became synonymous with critical excellence and good practice in the early noughties, feeding into the working practices of artist-led galleries and studios including Tether, Backlit, Surface Gallery, Primary and Bohunk Institute.

Appropriation is the practice of artists taking already existing objects and using them, with little alteration, in their own works.

"But we felt there was a vital ingredient missing – a gallery that would take the practice of artists here and distribute it within the international art world.

The coworkers, armed with Wi-Fi laptops and cellphones, are in some ways offering a techie twist on the age-old practice of artists or writers teaming up to rent studio space.

This incorporation of the viewer into the work of art, at least as co-conspirator, has been central to the practice of artists since Marcel Duchamp (1887-1968) had viewers spinning parts of his sculptures in "Bicycle Wheel" (1913), and "Rotary Glass Plates" (1920).