Sentence examples for practice art from inspiring English sources

"City Council Meeting" bears a resemblance to several vital new strands in contemporary theater: works based on documentary sources, and "social practice art," which aims to blur the boundaries between creator and audience and encourage political engagement.

Eventually, Ms. Touby came to see her altruistic networking as a business; but in Ms. Diamond's mind, what she does is still art — what is known as social practice art, art around community-building.

In "Outside the Citadel, Social Practice Art Is Intended to Nurture," Randy Kennedy writes about "another kind of art world" that is popping up in some museums around the country.

Riley has also called her copy – which she has lent to this fascinating little exhibition – a "tool", revealing what her and Seurat have in common: they both practice art as an optical science.

Still, this charge of specialization isn't new, and in practice art exhibitions end up working on multiple registers: some people will watch Mr. Mohanty's entire video, while the majority of visitors, at least while I was there, seemed content to sample three to five minutes before moving on to the next attraction.

Boosting Christie's Last year, when Ashton Hawkins announced his retirement from the Metropolitan Museum of Art after 32 years, he said he was joining the Manhattan law firm of Gersten, Savage, Kaplowitz, Wolf & Marcus, where he planned to practice art law along with trusts and estates.

Ambiguity is not commonly a feature of social-practice art, but "Golden Ghost," an installation by Surasi Kusolwong resembling a piece of 1960s-style scarter art is an exception.

(Tania Bruguera, a New York artist who is known for helping immigrants and has been supported by the Queens Museum and Creative Time, sometimes explains social-practice art with an anti-Modernist call to arms: "It's time to restore Marcel Duchamp's urinal to the bathroom").

The languages, cultures, religious practices, art and architecture of many countries have their roots in Judaism and Islam.

They practiced art criticism assiduously and regularly and even earned income from it Greenberg wrote for the Nation, and Rosenberg was a longtime critic for The New Yorker.

Richard Shusterman concurs, and passes the question of the identity of the work of art along to the "piecemeal efforts of practicing art critics" (1980, 543).