Gripe attempts to give all of its users a powerful persona by displaying the user's "word of mouth" power.
"Maybe, but in Wulp's case that elusoriness of identity, its very multiples, become part of his intriguing and powerful persona".
A published author, she will be remembered for her powerful persona and intellect, her language, narrative and linguistic skills, her devotion to social service, vocational and educational programs in Israel, and especially for the profound impact she had on her children and her children's children.
But neither, really, is George Strait, who's instead used his interpretative abilities to develop one of the most powerful personae in country music.
He confronted dictators in Africa, Latin America, and Asia, as well as Communists in Eastern Europe, with that powerful, stubborn persona.
As a dancer, Clarke was outstanding not, like some performers, because she projected a powerful stage persona, but for a rarer quality.
But Spitzer, a former prosecutor, attorney general, governor, and – for a brief time during which he pulled in at least $2m – starry TV personality, has a more powerful public persona.
And we expect the novelist to do the rest of the work, to toil to represent in language all that the protagonists can't say for themselves about their ageing, their stale intimacy, their childlessness, the death of their desire, their enduring love – and about how the vulnerable private body intersects with the powerful public persona.
And when she goes on screen she plays this callous, powerful, intimidating persona and her eyes just go straight through you!" TV Week said that they have been "desperate" to see Neighbours cast a new female villain and that their prayers had been answered when Badler joined the cast as Diana.
So does Amy Jo Phillips as Bloody Mary, a robust island woman — she is quite the saleswoman, of trinkets and romantic dreams — whose maternal side is as powerful as her raucous persona.
In the meantime, it was back to stunning black-and-white with the powerful close-ups in Persona (1966) and the haunting images of Hour of the Wolf (1967), before embarking on their second colour film, A Passion (1969), which used more muted tones.
