'Power colour' is not a correct phrase in written English. If you are looking for a phrase to describe a strong, vivid, and intense colour, you could use the phrase "vibrant colour". For example, "The bright, vibrant colours of the sunset made for a stunning view."
"Eh?" Blue is the Black Power's colour and red is the Mob's colour, but when you see patches most days you tend to forget the small details like this.
Rand understood the vitality and symbolic power of colour and shape in the work of artists such as Paul Klee, Wassily Kandinsky, and Pablo Picasso.
Since, a century of glorious inventiveness when 'freedom, style, sex, power, motion, colour' and everything else which excites consumers took refuge in the car.
She showed how the dominant idioms of power and colour evasion make explicit white race cognisance full of contradictions and prone to depleted vocabularies.
An offshoot of Expressionism, Der Blaue Reiter (1911 14) was a group of somewhat loosely associated artists, including Wassily Kandinsky, Gabriele Münter, and Franz Marc, who all attached great spiritual value to their work and believed in the emotional power of colour.
The beautiful, big, excessively subtitled CARS: Freedom, Style, Sex, Power, Motion, Colour, Everything (Conran/Octopus, $65) is, in fact, a one-man show of Tif Hunter's black-and-white photography.
But, in time, the lessons of Whitehall professionalism and values of passionate activism blended to inspire a new generation of Liberty members and colleagues capable of speaking truth to power – whatever colour tie it wore – and not before time.
A lick of paint won't change the world, he concedes, but it can make a huge difference to how people feel about their environment: "There is something about the power of colour that can act as a trigger to regeneration and reviving pride in the local community.
Oriel Mostyn, Llandudno LL30 until 6 July JMW Turner – The Bay of Baiae with Apollo and the Sibyl (first exhibited 1823) The power of colour to create space and atmosphere is brilliantly demonstrated in this glorious concoction of landscape and myth by Britain's greatest painter.
