Sentence examples for possibilities of paint from inspiring English sources

Thereafter, she explores the wide-ranging physical possibilities of paint.

While Jess is perhaps best known for obsessive collages and strangely baked-looking, seemingly paint-by-numbers realist paintings, this exhibition of works primarily from the 1950s and '60s concentrates on his less familiar wanderings through the late-19th-century French Symbolist-Nabi nexus of Redon, Vuillard and Bonnard and a freewheeling curiosity about the physical possibilities of paint.

These two quintessentially iconoclastic painters present interesting parallels due to their their career-long disregard for prevailing styles, their similarity of approach and their passionate pursuit of the possibilities of paint.

Don't neglect the possibilities of paint, including shiny paint, glitter paint and glow-in-the-dark paint.

His understanding of the possibilities of painting was evolving rapidly; from studying Hals he learned to portray the freshness of a visual impression, while the works of Paolo Veronese and Eugène Delacroix taught him that colour can express something by itself.

More to the point is the effrontery with which the works on view — including two versions of this particular Courbet — confound narrow ideals of beauty and taste while subverting the male gaze and broadening the possibilities of painting.

An unpredictable mix of Expressionism, Primitivism, Symbolism and political allegory, his earthy paintings have one eye on war, pestilence and nostalgic memories, the other on the formal and material possibilities of painting itself (Johnson).

At mid-century, apart from Baudelaire, who advocated the most romantic possibilities of painting, the most prominent critics tended to think in terms of stark oppositions and distinctions often beauty and ugliness and thus often failed to achieve an adequate dialectical criticism.

In the gallery's pretentious locutions, the "rich color and painterly handling" of what it calls the New Romantics (who are "void of both cynicism and of naïveté") are used "to construct a proposal about the possibilities of painting's expressive potential".

But "Green" shows him as the equivalent of a painter who explores the possibility of paint itself.

If the cave's environmental conditions are basically the same, the possibility of the renewed flaking is lower when the murals were repaired with PVA, while the possibility of paint loss is lower when the murals were repaired with hybrid emulsion of acrylic and silicone acrylic.