Sentence examples for portrays the end from inspiring English sources

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Set in the Lincolnshire fens, The Wake portrays the end of an era as Saxon England is invaded by the Normans.

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Sherbell set out to portray the end of the Soviet Union.

The film was made for around €4.5m, not a large sum when you are trying to portray the end of the world.

Now, as Mr. Bloomberg seeks a third term, he is trying to play down divisions over the policy and portray the end of social promotion as a major reason for the city's large gains in test scores and graduation rates, even though it is difficult to definitively prove that relationship.

The Bishop of St Asaph, Gregory Cameron, who also signed the letter along with the Bishop of Bangor, Andy John, added: "There have been attempts to portray the End Hunger Fast campaign in one form or another as 'loony lefties attack nasty right'.

As founder of the Tudor dynasty and grandfather of Queen Elizabeth, Henry VII could command a respect that even Shakespeare was bound to honour, and accordingly the Henry Tudor that he portrays at the end of Richard III is a God-fearing patriot and loving husband of the Yorkist princess who is to give birth to the next generation of Tudor monarchs.

Through the device of the revived troupe, the same actor who plays Peretz at the beginning of the play portrays the mature Asch by the end; student and mentor trade places.

An antiromance, really, in which Overbye, the deputy science editor of The Times, applies recent discoveries about Einstein to examine both his scientific work and his emotional life; in the end, he portrays the great scientist as a rat with women and an irresponsible father.

Across the subject's shoulders and neck one sees three figureheads: two humans, which portray the extreme ends of what can best be described as ravenous capitalism represented by a demonic manufacturer and the insatiable consumer flanking what appears to be a tortured lab ape.

The end of this film portrays the mother and daughter being able to try again and admit that they were wrong.

However, Mary-Kay Wilmers displayed less frustration in the London Review of Books in observing that Quintana is the book's "focus" but Didion herself is "its subject, its best subject", unflinchingly portrayed towards the end as "frail, uncertain, unsteady, childless … not growing old but old already".

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