Sentence examples for portrait of the current from inspiring English sources

The three surveys are expected to provide a decidedly bleak portrait of the current housing market.

In recent years some have sketched a portrait of the current crop of twenty- and thirty-somethings that is low on greatness and high on traits like entitlement and narcissism.

In this paper, we will provide an extensive portrait of the current proposition of serious games in the cultural sector, highlighting the educational objectives of games in this domain and analysing the complex relations between genre, context of use, technological solutions and learning effectiveness.

And on occasion, they paint a dim portrait of the current economy -- in more depressed terms than the president and his campaign would use –- with warnings that Romney would take send it into a free-fall.

According to the participants, the conclusions paint an interesting portrait of the current state of affairs, enriched by the similarities and differences between the academic and the health and social services groups.

As the interns sat in front of a panel of portraits of the current and former Secretary Generals, a security guard approached them, saying that protests weren't allowed inside the UN.

Above the dining-room fireplace hangs a portrait of the house's current occupant, the Reverend Dr. Jim Cooper, by Thomas Loepp.

But interviews with lawyers and witnesses involved in many of Mr. Scarcella's cases, and who would presumably be central to any review, have provided a general portrait of the investigation's current status.

Our goal is to explore uterine artery ligation research in the several animal species that have been studied in order to provide a portrait of our current understanding of the outcomes of this model.

Photographs in the front room form a recap of Mr. Bronson's creative life so far, from nude self-portraits made in 1969, to a General Idea poster, to a 2001 portrait of his current partner, the architect Mark Jan Krayenhoff de Leur.

After mid-decade he abandoned historical themes, sending a portrait of a current ballet star at the Paris Opéra, Eugénie Fiocre, to the Salon of 1868; he would soon reject such official exhibitions altogether.