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It's a late, scruffy, unrecognizable portrait of something or other.
It felt beautiful to try to make a portrait of something so common.
Halvard Solness, the title character of Henrik Ibsen's 1892 play "The Master Builder," is a portrait of something, but of what?
All of which would be significant enough, but this is a portrait of something else too: not just Bach, but his music.
Its first sentence is enviably disgusting: "My fondest teenage snogs tasted of fried fish and chips". His account of Chip Alley in Cardiff in the early hours is a portrait of something hellish but not quite hell: his evidently comradely nature impels him to excuse the legless bedlam and play down what must be the potent reek (oil, vinegar, vomit).
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But, once Gilbert gets to work, and enlists the reluctant Sullivan in the project, "Topsy-Turvy" becomes an extraordinary portrait of how something of lasting value is made.
Doing a film portrait of 1973 was something I talked about for a long time.
The item could be a Civil War flag, a dining room table or a portrait of an ancestor, something passed down through generations or bought at a yard sale.
There are some surprises along the way; Meacham points out that Andrew Jackson, a demagogue when he chose to be, resisted the revivalism of his time in favor of separating faith from politics, and he presents a portrait of Franklin Roosevelt as something of a public theologian.
Her role in Sally Potter's Orlando (1992) is arguably the most significant Jarman-influenced film; Love Is the Devil, John Maybury's portrait of Francis Bacon, owes something to Caravaggio; Isaac Julien was perhaps emboldened to give his otherwise very un-Jarmanesque 1991 film Young Soul Rebels a gay theme.
Dureau's 1985 portrait of Robert Mapplethorpe shows us something else, something creepy: Mapplethorpe as** **the voyeur who's very interested in himself.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com