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Even his most disturbing obscenities — the porn film sequence in "Cocaine Nights," say, or the endlessly salacious car-sex scenarios in his unforgettable 1973 novel "Crash" — are as mannered and concise and unimpassioned as a GPS device's soothing, digitally modulated voice describing how to reach the next gas station.
Then that pony stumbled and has currently commenced its falling-down sequence, so Porn jumped onto the Blu-ray pony as it was passing the HD DVD pony, which it started to do a couple of weeks ago. .
Meanwhile, in Suzanne Posthumus's Butter Wouldn't Melt, an almost subliminal sequence of retro porn flashes before our eyes as the soundtrack builds to a climax.
It's natural enough that we should look at the sequence of events – exposure to porn, desensitisation, erectile dysfunction – and see an obvious culprit.
"There's a bit in the show where we say what it feels like to watch [extreme porn] and then there's a movement sequence.
When a complete sequence becomes necessary, Smith makes fun of the hapless mini-scenarios of porn — the delivery man at the housewife's door, the sudden urge to unzip, the simulated joy.
In a sequence about her imbalanced relationship with a lifelong friend, or another about her compulsive use of internet porn, she's trying too hard to show how outrageous or neurotic she is.
Storm porn.
No porn.
Food porn.
Yes, porn.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com