Sentence examples for popular strain from inspiring English sources

The aim of legal same-sex marriage is equality under the law, not the criminalisation of a certain popular strain of Christian doctrine.

That's hardly rational thinking, but its seems to be a popular strain of thought among young millennial women, who are flocking to become single mothers, according to a new report from Johns Hopkins University.

A popular strain in recent American indie cinema has been the Andersonian quirkfest, a tendency that runs through movies like 'Juno,'Napoleonon Dynamite,' 'Son of Rambow,' 'Charlie Bartlett,' and 'Garden State,' among others".

In this study, it found that both in the wild and in the laboratory, swallowtail butterfly caterpillars did not appear to be harmed by eating leaves dusted with pollen from a popular strain of Bt corn known as Mon 810.

The Cornell study used another popular strain known as Bt 11. "This study is important because it's one more species," said Dr. John Losey, the lead author on the Cornell study.

(In the movie, he speaks warmly of another son of the city, King Curtis, who, having made a fortune from a more popular strain of bluesy jazz, picked Coleman up in New York with his Rolls-Royce).

As with all popular strains of TV, there's a risk of overcommissioning: last year's The Game on BBC2 felt too much of a LeCarré-cature.

As Cindy weighed out Cassandra's marijuana purchases, which totalled a hundred and ten dollars, she commiserated with her new customer about the unattractive names of some popular strains.

In addition, there is a widespread sense here that some in the right-leaning Israeli government have given a tailwind to what critics view as growing popular strains of racism.

On Friday, the festival will take on the music of Thomas Jefferson's Monticello, which Michael Barrett, Caramoor's chief executive, called a microcosm of the "serious" and "popular" strains of music in the former colonies.

It appears to breathe a silent sigh of relief at the absence of Charlie Parker (who died in 1955), which allowed the filmmaker — if not the festival itself — to filter jazz into traditional pre-bop popular strains and its popular successors, and to represent its modernist follow-ups as placid and intellectualized introversion.