Sentence examples for politics of memory from inspiring English sources

"politics of memory" is a correct and usable phrase in written English.
For example, one might write, "The politics of memory are an important aspect of understanding history."

Exact(18)

The work extends the current literature on toponymy by providing a temporal analysis of the street name changes to one bounded area over time, which demonstrates how a politics of memory is inculcated into streetscapes to reaffirm political control.

Jane Kramer: "The Politics of Memory," August 14 , 1995

She is the author of nine books, including "Unsettling Europe," "Europeans," and "The Politics of Memory".

"It deals with issues like the politics of memory -- who gets to tell the story and how," he said.

Evans and Guttenplan tell us much about the issues at stake, and about the politics of memory.

As rousing as this vision of Jewish combat may be, it does raise a problem identified by the historian Raul Hilberg in his memoir "The Politics of Memory".

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Similar(41)

For some time now, so many critical flags have been thrown down regarding the Holocaust, art and film about the Holocaust, allegedly mystifying claims made about the inability to represent much less "comprehend" the Holocaust, the politics of Holocaust memory, and so on.

With a flag of the pre-Civil War Spanish Republic hanging on the wall of our debating chamber, I ask those assembled if Spaniards are wary of radical politics because of memories of the war.

Literature concerned with the politics of place and memory often focuses on how representations of conflicts and violence of the past are struggled over, negotiated and actualized in the present.

In the area of memory politics, I contend that the past has been retroactively reframed in the case of Japan by reemphasizing the norm of victimhood which is associated with the violation of national pride, honor and dignity.

Somehow, in the disparate weaves of conversation--Seattle, Ecuador, Noboa, art, violence, politics--the layers of memory, mine and Josephs and Kate's, of political undertone: graphic violence and corporal gore rise to the forefront like sea garbage, like the worst of us, like that which artists of Vrijmoet's caliber and awareness ask us to confront.

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