So you chart a course, and you plot out kind of a worst-case, middle-case, best-case plan.
Or, sometimes, I just like a very linear plot, the kind that makes you wonder what will happen next, like that Frank O'Connor story about a man having an affair and his sex-loving, unflappable wife.
"The thing people forget," he remarked in a 2004 interview with The Guardian on the poor track record of film adaptations of his books, "is that I've been trying to do something new and different.... My characters are what the books are about: the plot just kind of comes along.
First off, the story and plot is kind of lame anyway, but more importantly, the movie played a pivotal role in many people's youth.
I don't think Gamer will win any Oscars, but the plot sounds kind of interesting (like a mix between Running Man and Death Race).
It is, of course unimaginable and impossible today, to plot this kind of figures using Monte Carlo method and waiting for 100 errors to have an accurate estimate.
We haven't done a montage like that before, but apart from anything else, it's ― in terms of the plot ― kind of essential.
But, really that whole plot line kind of exhausts itself by the halfway point of the movie.
It's yet another can-he-save-us-from-Doomsday plot, the kind James Bond was cutting his teeth on in movies 40-plus years ago. 40-plus years ago
One of the cartoon's most difficult assertions connects black nationalism to bin Laden, which is another way of asking if Obama is destined to plot a kind of pan-terrorist world violence.
As much as we love "Beauty and The Beast," the plot is kind of messed up: Girl meets beast, beast imprisons girl in his castle, girl conveniently falls in love with beast ― if that's not textbook Stockholm syndrome, what is?
