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A series of quickly-produced "play blast" videos helped the developers focus on mechanics, the user interface, and finishing moves.
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The play blasts Apple and other technology companies for alleged harsh conditions in their factories.
Meszaros opened the scoring on the ensuing power play, blasting home his sixth of the season at 4 55.
This week the Lyric Hammersmith opens the first London-based revival of her debut play, Blasted, directed by Sean Holmes.
In your role as associate director at Sheffield, you're currently staging Sarah Kane's 1995 play Blasted.
It's five years since her first play, Blasted, was given a widespread critical lashing, and turned into a box-office success.
The British theatre's newest enfant terrible, whose play Blasted had caused a wave of protest at its graphic violence, suffered from a fear of flying.
Ms. Kane scandalized and electrified audiences in London in 1995 with her first play, "Blasted," the story of a tabloid journalist who lures a mentally retarded girl into his home.
Anyone who has read Sarah Kane's play Blasted can see that it is far removed from the world of the Church, yet it deals with aspects of humanity that can only stem from a consideration of the soul.
From the time her first play, "Blasted," leaped onto the stage of the Royal Court's tiny Theater Upstairs in 1995, Ms. Kane was an object of attention, debate and -- among her colleagues and the critics -- growing admiration.
Sarah Kane's play Blasted (recently revived as part of the continuing Sarah Kane season at the Sheffield Crucible) was widely interpreted at the time of its premiere in 1995 as being "about" the war in the Balkans.
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CEO of Professional Science Editing for Scientists @ prosciediting.com