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My inspiration is usually triggered by the archive materials I find (in this case, the pigeon image) and how those materials can be transformed by adding or combining them with other elements.
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For example, a teacher describing the pigeon images could, after teaching any specialized vocabulary needed, say, "Two eyes are showing and its beak is pressed down to its chest".
There are many possible interpretations of "the pigeon tunnel", the haunting image of birds bred for slaughter in the casinos of Monte Carlo that opens this poignant autobiographical collection, but one reading is obvious: however much the free bird of the imagination might long to fly home unscathed, there's no escaping the fateful guns of a merciless reality.
Graeme King Newcastle upon Tyne Martin Parr seems to have arrived in Newcastle with all his stereotypes in tow, and to have regurgitated them for us with stock images of pigeon fanciers etc. Geographically, the photo essay was inaccurate.
The pigeons were shown an image of a dog along with two icons, one representing the dog and one that was random (see below).
What's intrigued the artist and inventor behind a spinning car, rainbow-dyed pigeons, whipped monuments, the "Image Fulgurator," and the Perpetual Storytelling Apparatus, is how different these plants look in actuality to how different they look in drawings, paintings, and photographs, which is how most people see and experience them.
At the start, the image of a pigeon perched beside an empty cradle has a sinister cast; according to Russian folklore, a bird indoors is a bad omen.
Almost none of Helbak's work was done on a computer; she simply looked at the image of a pigeon, drew it by hand on Lego graph paper, and started building.
Even a compact, Cubist still life by Picasso, the fractured image of a pigeon on a white tablecloth, comes off as a work of what one might call high domesticity.
When it's a single image of a pigeon on the street, it's easy for me to scroll by.
Based on our historical search, we found a strong shift in the mid-twentieth century in the image of the pigeon, from a very positive historical representation to its current mostly negative image in mainstream public opinion.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com