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There is an engrossing ECM recording of the piece, recorded during a performance in Amsterdam in 2000.
The piece, recorded in 1950 with the saxophonist Charlie Parker as the soloist, was perhaps the first major work to marry classical composition and Latin big-band sounds.
The 25-minute piece, recorded with her vocal group Roomful of Teeth, has recently been released as an EP on iTunes, Amazon and at Spotify.
The detailed descriptions are somewhat reminiscent of "New Horizons in Music Appreciation," a piece recorded in 1967 by Peter Schickele, the composer and broadcaster who is the humorist behind P.D.Q.
At one point, she shows us video footage of an earlier version of the piece, recorded in Berlin last year, then she dances alongside the image from her past.
Another version of that piece, recorded with a full band including the jazz bassist Ron Carter, was released on Mr. Scott-Heron's second album, "Pieces of a Man," in 1971.
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The conductor was once more Leonard Bernstein, who continued to champion the piece, recording it for a 1947 release, and recording it again in 1966.
He wrote and arranged pieces recorded by Davis and Mingus and drew praise for his sophisticated compositions.
It was "A Nice Idea," among the first pieces recorded by this group, and it felt duly broken in.
This collection of live pieces, recorded in Europe in 1970-71, arrives just as interest in the band revives, and brings their music vividly to life.
This set has all the big pieces recorded during my era there, and they well capture Munch's intensity and Berliozian sense of grandiose occasion.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com