Toshiko Takaezu's stoneware piece "Closed Form" looks ritualistic at the end of what is known as the Red Garden.
The piece closes with Mr. Moran's condensed version of scenes from "The Tibetan Book of the Dead".
As the piece closes, the dancers ring the stage on three sides, standing nobly, their arms swinging freely before them, a newfound — or rediscovered — calmness settling in.
The piece closed with the warning that, as a result of the art work, the nation's mass graves might be soon viewed as jewelry stores.
The piece closes with Liebling, in a place that isn't for big shots at all (I won't spoil it), bearing the news that Mollie is dead.
We have meetings before a piece closes where the editor, author, fact-checker and proofreader sit down together and, occasionally, I will think something is wrong that the author wants.
Kloor's piece closes with a quote from Times reporter David Carr, musing on Daisey and the radio program: Is it O.K. to lie on the way to telling a greater truth?
(Indeed, after Mr. Nishi's piece closes on Nov. 18, the structure will remain in place for a few months more, while the statue undergoes major conservation for the first time since 1991).
The Post piece closes with General Kelly at a medal ceremony for one of his son's men, who lost an arm in Afghanistan: Kelly watched from across the room.
The screen fades to white and the piece closes on the Honda logo and the brand's motto, "The Power of Dreams".
The piece closes as abruptly as the first movement, with Baselga (Knight) shutting the door to the garden -- signaling a sudden end to this generation's frivolous, carefree life.
