When the picture shifts into a love story and Chunhyang (Lee Hyo Jung), the daughter of a prostitute, and the spoiled and doll-faced Mongryong (Cho Seung Woo), the son of the governor, lock eyes for the first time, he pays homage to the corniest of romances as well as the feelings that such stories can evoke.
Labor is being "pressured by Greens activists", his ad asserts, as the music crescendos ominously, such as "the Labor Environment Action Network" (the picture shifts to a partially obscured newspaper article where pretty much all you can see is "Lean boasted that it had secured the support". Let's freeze the frame there for one moment.
Parse things by income instead of education, and the picture shifts even more.
As the film's titular character remains disabled, the picture shifts towards Imperator Furiosa (Charlize Theron) a bald, bionic-armed servant of Joe who drives a massive, phallic war rig between the Citadel, Gas Town, and the Bullet Farm to ferry supplies back to her masters.
However, after controlling for individual institutional effects and the potential confounding of other sociodemographic variables the picture shifted somewhat.
The more you move among these pictures, shifting back and forth between them, the more your sense of American life deepens and expands by the moment.
As you drag the picture around, you'll notice that the other pictures shift as you move over them.
The scene shifts to a picture of the Oval Office.
Each man – soldier, seller, shepherd, even the policeman who cannot keep track of the guns any more – speaks of his situation, so that the picture keeps shifting and shifting.
Picture 6: Shifting the Social Field (Theory U).
