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A picture lives only through the person who is looking at it. . . .
We enter the cinema expecting to be pleasantly outraged, and for the first 20 minutes or so the picture lives up to our expectations.
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While the 1960s swung, this spirited, good-natured but creakily old-fashioned picture lived in a different zeitgeist.
Picture living walls sweating with anxiety, a vine-clad staircase keening when an occupant dies, roof seams fraying from a mild sense of neglect.
I could not picture myself doing this for the next ten years (I could not picture LIVING for ten years, or even wanting to, at that rate).
The color, brightness and saturation parameters can be freely adjusted while seeing how the adjustments affect the picture, live on the monitor.
Picture living your life, maybe as a college student, and thinking everyone felt this way.
That picture lived up to the bio I created much better than the awkward poses in my friend's apartment.
When you picture living in a mobile home, thoughts of "roughing it" in tiny cramped quarters come to mind, right?
While optimism asks you to look at the big picture, living in the moment involves looking at the tiniest picture possible.
But 40 years on, with the official version of the disaster in doubt, Vesna Vulovic, pictured, lives a secluded life in a dilapidated Belgrade flat.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com