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We derive viewing transformations from some basic principles of perception of pictures rather than by modeling a particular physical process of picture generation.
The work done by Kang, Lee and Chui [31] became an established NPR approach to line drawing picture generation, and thus is used in the objective and subjective comparison of this work, referred to as the FDoG technique.
I picture Generation X throwing their Nirvana records aside and adopting my line as their Angst -ridden rallying cry, rising as one voice, shaking their collective fists at the unresponsive passivity of the heavens: C'mon, these disillusioned youth demand of the gods, we need to know stuff !
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I was reminded of this after visiting two big history-writing and history-inventing exhibitions in New York this spring, "The Pictures Generation, 1974-1984" athehe Metropolitan Museum of Art (through Aug. 2) and "The Generational: Younger Than Jesus" at the New Museum (through July 5).
His vocabulary of dots, stripes, bands and blocks, as well as much enlarged X's and U's and occasional scanned images, combines the abstract motifs of generic Modernism and the recycling strategies of Andy Warhol and Pictures Generation artists like Richard Prince and Sherrie Levine.
Richard Prince is a Pictures Generation artist.
Many works in "The Pictures Generation" exude a melancholy of clever artifice masking inexpressible emotion.
In 2002 he began appropriating images by a method more direct than his Pictures Generation elders.
The Pictures Generation (Cindy Sherman, Robert Longo) and appropriation crowd (Jeff Koons, Haim Steinbach) also make the scene.
Mr. Bark was rephotographing photographs, like the vaunted Pictures Generation, only earlier.
"The Pictures Generation" can, with some adjustments, stand as the working model.
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