Sentence examples for picture approach from inspiring English sources

He added that there was no "big picture approach" to dispersing the students' money to clubs and other student groups.

Take, for instance, a new effort by Delta Air Lines, which invites fliers to find various bizarre details in their safety videos — a "What's wrong with this picture?" approach that includes cameos by a big yellow robot, a tiny suitcase and the semifamous flight attendant known as Deltalina (more on her later).

Rather than trying to understand whether the human condition can be broken down into genes and quarks, he said, a big picture approach would contribute to more constructive engagements with evangelicals.

Forrester Research: Cambridge, Mass.-based Forrester bills itself as a new media research firm, and operates using a "rooftop"–or "big picture"–approach to identifying the current and coming big industry trends and how they will impact businesses, consumers and society.

Kuffner is delivering the opening keynote for San Jose's RoboBusiness conference today, but I spoke to him prior to his address for a preview of the big picture approach he and the TRI are taking in developing advanced, autonomous systems that help everyday people with everyday activities.

If he'd taken a big picture approach and lost it would've been a failure that would've let him perhaps build a better bill six years down the road.

As the final award, best picture, approached, The Artist was trailing Hugo 4 to 5. As the two leading contenders, a win for either would result either in a tie or a comfortable win for Martin Scorsese's film.

The only picture approaching truly huge dimensions at Houk is an 8-by-6-foot blowup of Walker Evans's "Penny Picture Display, Savannah, Ga.," a nuanced commentary on photography as a window on the world and on the nature of commercial portraiture in the 1930's.

It is only in the scenes of his savage disintegration, as the horrified girl hangs on, that the picture approaches real tragedy".

In both these Annunciations, Leonardo used a formal arrangement, such as in Fra Angelico's two well-known pictures of the same subject, of the Virgin Mary sitting or kneeling to the right of the picture, approached from the left by an angel in profile, with a rich flowing garment, raised wings and bearing a lily.

The big-picture approach makes sense.