Four Poofs And A Piano? Share your Jonathan Ross memories below.
Sebastian Currier's "Verge" (1997), for violin, clarinet and piano, shared the humorous spirit of the Kurtag, at least some of the time.
Mozart broke new ground by having the piano share in the opening theme and with the unusual structure of the concluding Rondo.
Diamond jewels are displayed side-by-side with small throw-away china dogs; a gold encrusted piano shares the stage with one made by a fan from 200,000 toothpicks.
Though composed nearly a half-century apart, the Sonata Concertante (1952) and the Duo No. 1 (2001), both for violin and piano, share an approach to the same common instrumental combination.
A map of the Olympic neighbourhood shows that even bedroom communities and back-office complexes are relentlessly connected, where an impatient private maths tutor and bored child practising the piano share two different levels of the same piece of an elevated interchange.
A propulsive yet elastic rhythm section anchors the up-tempo "Circling" and "How We Love," while Taylor Eigsti's restless piano shares the spotlight with Parlato on the slow-burning "Winter Wind". These songs mark some of Parlato's first forays into songwriting, which proved to be a difficult yet rewarding next step.
In 1967 he won an Audio Record Review award for his recording of Gershwin's piano music, sharing honors with Georg Solti, Otto Klemperer, Neville Marriner and the Beatles.
The French pianist is a splashy stunner at the piano keyboard, sharing a line that runs from Errol Garner to Don Pullen, and he loves running Monk (as well as his own melodies) through endless chord substitutions.
This French pianist is a splashy stunner at the piano keyboard, sharing a line that runs from Errol Garner to Don Pullen, and he loves running Monk (as well as his own melodies) through mazelike chord substitutions.
