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Through an array of interpretive choices — fine gradations of dynamics; pungent diction; telling contrasts of ethereal and earthy timbres; tempos that are more lusty than languid; a way of propelling a phrase toward a goal — the music takes on narrative momentum, its moods dovetailing with the theme of the text.
At the beginning of "Heraclitean Backwash," Wright stresses the flux, looking back at his past self as "Strange flesh in a stranger land," but by the time he repeats that phrase toward the end of the poem, his emphasis has shifted to permanence: the clouds may be "on their way to where they're not," but they're eternally on their way.
Yet on this night, in striving for intensity or in bending a phrase toward its climactic peak, he did not care, it seemed, if the wide vibrato on a sustained high tone nearly splattered, or if a little glitch slipped into his legato as he drove a dramatic phrase purposefully to the depths of his instrument.
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Another notable instance of the progression of cinematic phrasing toward greater euphony is a line of Mae West's.
Soaring over the orchestra and chorus during fervent passages, she may have pushed her voice too much, because she faltered in a few high pianissimo phrases toward the end of the sublime "Libera me," which concludes the piece.
Soaring over the orchestra and chorus during fervent passages, she may have pushed her voice too much — she faltered in a few high pianissimo phrases toward the end of the sublime "Libera me," which concludes the piece — but it hardly mattered for all the poignant intensity of her singing.
The weirdness and ambiguity of that description exists in the Hebrew as well — Fox's translation of the phrase tilts toward the literal — which is precisely why most translators take an interpretive leap and convert it into the more unobtrusive "champion".
But she already had the slide and slur, the way of bending phrases down toward slight dissonance, that always made her sound so nonchalantly willful.
The robot matches the words and phrases directed toward it -- other than requests for a statistic -- with words in its reference documents.
But his phrasing tends toward carelessness and rhythmic jumble, and the little barks and husky vocal expletives that are the mother's milk of Italian tenordom sound faded and unconvincing.
Others consist of a repeating phrase which builds toward a crescendo.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com