Earlier this week, Pat Robertson suggested that Facebook create a "vomit" button for photographs of same-sex couples kissing -- so what's the conservative televangelist going to do for a follow-up?
The exhibit consists of photographs of same-sex couples kissing in churches mainly located in Rome, but the pictures have been covered up after the Vatican sent the gallery a notice threatening legal action and saying that "the church is against the exhibition".
In the absence of disagreement and challenge we fall into patterns of like-mindedness, believing what others believe, dressing, feeling, thinking alike, fearing what isn't us, safe only in the company of people who take the same photographs of the same faces with the same cameras, until at last all life is one big indistinguishable selfie.
A similar tape, purporting to show the former Iraqi leader strolling in the Mansur neighborhood of Baghdad in daytime, was broadcast on April 4. By comparing the tape with satellite photographs of the same neighborhood on the same date, intelligence officials have concluded that the tape was made before the war began, according to senior American intelligence officials.
Stereographs, like this inappropriate one (at least by Wikipedia standards), produce the same effect by taking photographs of the same image from two slightly differing viewpoints, putting them side by side, and using a stereoscopic viewer to put them together (assisting the action of the brain in simulating depth).
(Ms. Bethel defines nonobjective works as those that blend abstraction and realism either defined by subject matter, deliberate manipulation or titles, as opposed to documentary photographs of the same period by figures like Weegee or Ansel Adams, which are far more expensive).
Moreover, this modulation of activity, at least in FFA and OFA, is not restricted to the same face image, but generalizes across different photographs of the same person; nor is it restricted to faces for which the participant is pre-experimentally familiar.
That could be the reasoning behind photographer Pep Ventosa's series The Collective Snapshot, which uses a composite of different photographs of the same landmark to create what look like impressionistic schizoid sketches.
Each image is actually a collage of hundreds of photographs of the same landscape.
Look at Pare's photographs of the same landscapes and you find that old Russia won that battle.
