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He's Maguire, a freelance photographer in 1920's Chicago who specializes in photographing murder victims; for a slight extra fee, he'll do the killing himself.
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And while "Blowup" is set in a fashion (or "mod") milieu, it is less about fashion, really, than about an accidentally photographed murder and the instability of what is seen and known.
His unit has no ballistics microscope to match bullets with guns and only two cheap cameras to photograph murder scenes (in black and white; colour film is too expensive).
In the 1966 film "Blow-Up," a fashion photographer played by David Hemmings believes he has photographed a murder.
When he shoots a series of pictures of a tryst between Vanessa Redgrave and her lover in the park, he finds that he may have photographed a murder.
The cartoon character is shown going on a "tour of Germany", counting down the murder victims, some of whose bloody corpses had been photographed, freshly murdered.
Many critics felt that it was exploitative, some suggesting that the film-makers were complicit in the murder, photographing it and then profiting from the film's theatrical release.
I had come to take pictures of the scene as part of a year-long project I have been working on, The Landscape of Murder, for which I am photographing the scene of every murder in London this year.
By his count, he has photographed about 200 murder victims.
The word referred to photographs, not murder.
On a whiteboard on the set is pinned a map of Bondi beach and photographs of murder victims.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com