Sentence examples for photographic interpretation from inspiring English sources

Her art-history thesis was titled " 'Angels from Heaven': Lewis Carroll's Photographic Interpretation of Childhood".

Martin Elliott regards his Tennis Girl as his "photographic interpretation of the saucy seaside postcard", which seems about right.

Under a roof pinned by four thick timber beams, framed pictures of smouldering males and another dramatic photographic interpretation add a twist of camp.

Entering though the small wooden door on a quiet road in the east of Valletta, Malta's tiny capital city, a photographic interpretation of Gericault's Raft of the Medusa dominates the reception area of the 16th-century townhouse.

The company's working-up was aided by the creation of a scale-model of the radar installation and the surrounding buildings being built by the Photographic Interpretation Unit.

Most of these results support the work of Olson and colleagues (4), although the fact that their system only detects small hemorrhages and microaneurysms is a serious limitation in our view, and sensitivity and specificity based upon the photographic interpretation by a single reader is unlikely to become widely accepted.

In '68, after completing an assignment in Vietnam, he photographed the now legendary Pirelli pinup calendar that paired love poems with photographic interpretations of the verses alluring, tastefully shot women lounging around the Tunisian island of Djerba.

Titled "Immersion," her work, like the piece at left, interweaves photographic interpretations of the rain-soaked city streets with movie stills and overlaid text messages.

In the bedroom, a king size bed resides under exposed beams and a gilded chandelier, surrounded by paintings and photographic interpretations of Malta's belle époque past.

Popularly known as Morocco's Andy Warhol – for his eye-opening photographic interpretations of life in the medina, recycled sardine can lanterns and Coke-crate benches – Hajjaj acquired international renown, but only recently has he been celebrated at home.

There have also been displays by the painters Allan Graham, Donald Baechler, Neil Jenney and Barbara Kruger; the photographer Barbara Ess; a group exhibition of works themed around wood; and a collection of Southwest Indian beadwork and baskets owned by Ms. Landau's fellow collectors Valerie and Charles Diker, accompanied with photographic interpretations by Kiki Smith.