Sentence examples for philosophy of memory from inspiring English sources

The long answer, and you knew it would be a long answer, has to do with understanding jazz as a 100-year continuity, an art performed by great musicians from postadolescence until the ends of their lives; as a philosophy of memory and inscription, of appropriating and elaborating; and as a business that must lure new customers by appealing to what they've heard of.

This book investigates central issues in the philosophy of memory.

De Brigard, F, Memory, attention, and joint reminiscing, in New Directions in the Philosophy of Memory (January, 2018), pp. 200-220, Routledge [doi] [abs].

De Brigard, F, Memory, attention, and joint reminiscing, in New Directions in the Philosophy of Memory (January, 2018), pp. 200-220, Routledge [doi].

De Brigard, F, Memory and imagination, in The Routledge Handbook of Philosophy of Memory (June, 2017), pp. 127-140, Routledge [doi].

Although it takes many significantly different forms, this idea that a 'trace' acquired in past experience somehow 'represents' that experience, or carries information about it, is at the heart of 'representative' or 'indirect' realism in the philosophy of memory.

All true, even though Proust insisted that the exquisite artifice of his slo-mo, close-up prose reflected a whole philosophy of involuntary memory rather than just overwrought nostalgia.

But many of his most valuable films – Beyond a Boundary (1976); Fields of Play, a highly original 1979 series exploring the philosophy of play; Memories of the Future (1984) about John Ruskin and William Morris – which were originally seen by millions of viewers, and whose topics and aesthetic strategies prefigure much contemporary moving-image art, have been missing in action.

They presented a recorded conversation between two men who had been struck blind when they were young and had opposing philosophies of visual memory.

You could tell a tale of primitive idols, hyper-real effigies and eerie tableaux, of philosophy, memory and the landscape transformed, of ideas made visible and dramatic illusions, of humour and politics and strange beauty: of immense creative richness.

De Brigard, F, The nature of memory traces, Philosophy Compass, vol. 9 no.