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'How much would you trust someone you met on an infidelity site?' It's tempting to see the rise in casual encounters as being a wholly modern phenomenon, somehow symptomatic of the fact that we're so rarely able to commit to being in one place or moment at a time, let alone with one person.
Since many objectophiles are on the autistic spectrum, a condition characterized by difficulties in the social domain, this may underlie the phenomenon somehow, and there's also a related psychological trait known as "object personification synesthesia," in which "person" and "object" blend to create the perception of objects endowed with mental states, including sexual desires.
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It's an unbelievable explanation for an unbelievable phenomenon that somehow smacks of truth.
Hula hooping first rose to prominence in the Fifties as a cheap and faddy phenomenon that somehow took hold of an entire planet's imagination.
While I definitely know that this phenomenon will somehow deeply penetrate our culture and contribute to an even more disruptive, leaderful era where neo-humans are able to jump talk buildings in a single leap (or at least may answer that darn email more quickly, finally!), I think it's very early in the process.
As 2012's bum end approaches, I've been getting up to speed with some of the thrilling cultural phenomena that somehow passed me by, months after everyone else got bored of them.
Noë points to one alternative he thinks neither Nagel or his critics give enough credence to, namely, that to dispel the "cognitive illusion" that we can't adequately explain life and consciousness, we only need to abandon the idea that these phenomena are "somehow spiritual".
This phenomena is somehow expected, since in a dual-hop relaying system, the overall outage performance is limited by the worst link.
The misleading part is that these phenomena are somehow new or spawned by Trump and his serial lies, as well as his ability to avoiding any consequences for his outlandish racism, sexism, and xenophobia.
Now 60, she looks unnervingly young for her age, a phenomenon that seems somehow tied to the enduring passion she clearly still feels for theater.
The crews of magazine subscription sellers on whom the film is based are an actual phenomenon that has somehow survived into the digital age.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com