Sentence examples for perspectives a concept from inspiring English sources

This means, for one thing, more Perspectives, a concept that allows artists to program their own concerts over two seasons.

By including both a variety of HCWs and patients, the research question was explored from various perspectives, a concept known as data triangulation; such an approach has been credited with improving the validity of qualitative study findings [ 11, 12].

Development of strategies for optimal design of experiments requires tools which evaluate experimental designs from an ethical perspective; a concept of distress-adjusted number of animals is suggested.

From a neurobiological perspective, a concept can be described as a network created by linked cell assemblies that process emotional, linguistic, and sensorimotor information (Hauk, Johnsrude, & Pulvermüller, 2004).

Coercion is, from a subjective perspective, a concept with many meanings.

Finally, as our findings revealed the extent to which consumers were familiar with the concept of nudging was minimal, this raises the question as to how much and how accurately consumers would be able to convey their attitudes and perspectives on a concept that they do not have substantial knowledge in.

A new book by prolific historian Niall Ferguson, "The Square and the Tower: Networks and Power from the Freemasons to Facebook" (Penguin), goes a long way toward redressing this pervasive lack of perspective to a concept central to the contemporary technological "revolution": networks.

Having his/her perspective on a concept may help you to comprehend it.

The paper challenges this perspective by developing a concept of learnt social practices, a methodology for theorizing the social and subjectively creative capacities of accounting as a practice embedded in social relations; collective activities through which individuals shape wider meaningful realities, potentially reshaping their own needs and understandings.

We would argue that the analytic perspective afforded by a concept of power-as-war entails a practice of critique that has far greater potential for challenging existing dispensations of power in general, and, in particular, for interrupting liberal complacencies, than the generally acquiescent formula described above.

It is documentary coverage of a bad dream about what happened to the man who told the world how angry he was, streaked with changing perspective, an incoherent concept of time, the sense that life is an endless succession of empty Sundays.