All three are carefully contrived perspective scenes, their rigorous mathematical construction emphasized by the converging lines of receding patterned marble pavings, flanked by palazzos with classical architectural features and more conventional urban houses reminiscent of those of Florence.
The problems with occlusions are caused by the lack of information about what is behind a foreground object, when a new-perspective scene is synthesized.
Turn the lens the other way and you'll be greeted by a wide-angle view, where you can let perspective and scene mess with your photo critics.
A series of inlaid chests with perspective architectural scenes, often called nonesuch chests, were either imported from Germany or made by German workmen in England.
Perhaps influenced by prose fiction, Price shifts the power and perspective within scenes to a degree that is unusual on screen: some conversations between Stone and the Khan parents show us how he sees them, while others offer the reverse.
McCay demonstrated his mastery of linear perspective in scenes such when the dragon disappears smoothly into the distance.
However, it is hard for this view to account for what is being imagined when, for example, the camera moves, or there is an edit to a shot that incorporates a different perspective on a scene, etc.
He thus brings an unusual perspective to the scene.
If you could transport yourself into it, you would see every perspective of a scene at once.
There's a lot of perspective in this scene, and all of the gobbledy gook: the Oriental rug, grand painting, grand furniture, and grand everything all around.
The compressed and distorted perspective of the scene is in the spirit of late Mannerism; all the holy figures have elongated bodies, stylized finger postures, and white zigzag highlights on their clothing.
