Sentence examples for perspective of a camera from inspiring English sources

In Germany, they filmed themselves skating from the perspective of a camera right on the ice.

"Aperture" (1994), set to Schubert, is the earliest work on the program and is shown from the perspective of a camera lens — the dancers are in a spotlight.

Too long has Google Maps confined us to the perspective of a camera attached to the top of a Subaru, at roughly human's eye level.

During surgery, SPECT/CT images (i.e., both the SPECT hotspots as well as the anatomy using different CT windows) were projected on the patient's body surface on the live video from the perspective of an optical camera placed above the operating table ('video overlay') as well as from the gamma probe in real-time (3-D view; Figure 2).

The film is presented as a home video from the perspective of an attendee using a camera to document the night's events.

As Griffith led screen acting away from the broad theatrical standards of the era and toward a more intimate, naturalistic and nuanced style suited to the close perspective of the camera, Pickford developed a warmth and limpidity of her own.

And two, in terms of getting the atmosphere across we want to shoot it from the perspective of a fan, like the cameras are the eyes of the fans.

In fact, the artist first paints directly onto the walls, floors and ceilings of the actual rooms in such a way that, from the perspective of the camera lens, the painted additions seem to float free from the surfaces.

How can he mess with Walt's head a little bit?" The footage shown from the first-person perspective of the camera is actual footage from the real camera, including the numbers shown at the top and bottom of the screen.

A director can shift the perspective of a scene, add a fresh camera movement, alter an actor's performance, transfer the location from Red Square to Times Square, speed up time, slow it down and generally do whatever schedule and budget allow to get the desired images up there on the screen.

The resulting deflection angles are lower than the 'real' cut-off angle from the perspective of the camera.  .