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Families blended.
Blended families.
Blend until fully blended together.
The work is perpetually in flux.
Perpetually clad in New Balance sneakers and suits that are just slightly askew, he dashes in and out of meetings, from East Room news conferences to the Oval Office and back again, out through the South Portico and into the White House vegetable garden — all while scrambling to blend into the background and record nearly every moment with his video camera.
Onstage he blends the best, which is to say the worst, of his two most obnoxious characters: the slimy self-delusion of David Brent, the branch manager who alone thinks he is funny, and the aggrieved hostility dished out by the failed and perpetually humiliated actor Andy Millman.
Start blending.
Continue blending.
Now blend.
Lightly blend.
It was a phantom dance of souls, baffled by these deceptive blends, yet still seeking permanence in the midst of what was only perpetually evanescent, or eternally lost.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com