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In it I said that the new Czech theatre was "focussing its attention not only on man vs. authority but on man vs. mortality," and that "the hero is forced to come to terms not merely with the transient compulsions of society but with the permanent fact of death".
I know it's hard to resist the compulsion to mount barriers around what is good, but without getting all existential can we agree that nothing is permanent?
The compulsion.
The compulsion of chirality.
Compulsion becomes progressively harder.
Or a compulsion.
Then an odd compulsion.
I understand the compulsion.
She indulged Adam's compulsions.
"It cannot come from compulsion".
But there's no compulsion.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com