Sentence examples for performers life from inspiring English sources

Justin Bieber might sleep on a mattress stuffed with dollar bills in a house made of Rolex watches and Ferrari parts, but down at the other end of the scale, for working performers, life can be tough.

As the performers discuss life on and off the stage, it becomes clear that their monologues are attempts to reveal what cannot be disclosed, not really: that which makes a human being want to become someone else while still in his or her own body.

The answer lies in all the seemingly inconsequential details -- Markevitch's somber restraint on the podium, David Oistrakh's broad left hand flowing down the bridge of his violin, Stravinsky placing a hand on his hip as he starts the downbeat with a heavy flick of his baton -- that bring a generation of performers to life for those of us who never saw them.

For both Moon and Gould, the performer's life was short: Gould abandoned concert performance at the age of thirty-one; Moon was dead by the age of thirty-two, and had not played well for a long time.

To me, it's the perfect expression of a performer's life: 'I'm here to do a performance and I'm not sure it's what you want.' " Mr. Earle, 41, thought there might be a play in what he had experienced, and there was: "Radio :30," about a slick radio announcer who does commercials for a living and knows how to ooze out of almost any unpleasant situation.

It's a fast performer, battery life is decent and there's advanced audio to make music playback sound impressive.

"Being in front of an audience is an essential part of the creative performer's life," Mr. Bacon said.

It felt sadly, hopelessly real, and it epitomized Ms. Sherman-Palladino Sherman-Palladino and Ms. Fosterer the texture of the performer's life.

But none of these shows detailed the intricacies and machinations of a performer's life; to be too inside is dangerous for commercial television.

The question facing jurors – prospective jurors were quizzed about their attitudes to the performer's life and music – will be to decide whose greed and duplicity.

That's how Gypsy Rose Lee the legendary burlesque performer whose life was the basis for the musical "Gypsy"—opens the memoiristic essay she published in The New Yorker, in 1943.