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There those white-and-pink suits were again on Wednesday afternoon in the museum's atrium, when he and Okwui Okpokwasili performed "Untitled (2008)," the latest in the Performance Exhibition Series organized as part of the survey "On Line: Drawing Through the Twentieth Century".
So has the Tino Sehgal performance exhibition now on view in an otherwise emptied-out Guggenheim rotunda.
And so on Wednesday afternoon the Trisha Brown Dance Company took over the museum's atrium as part of a Performance Exhibition Series in conjunction with "On Line".
Highlights include a performance exhibition in an emptied-out Whitworth Gallery of artists chosen by, and including, the queen of endurance, Marina Abramović.
But now, with the Performance Exhibition Series, organized as part of the survey "On Line: Drawing Through the Twentieth Century," coming to a close this weekend, the museum has embraced a simple solution borrowed from the performing arts: reserved seating.
In all, the crowded display is a good foil for the Guggenheim's Tino Sehgal performance exhibition which has rendered the adjoining rotunda devoid of art objects and all the more easily contemplated.
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