Sentence examples for percussion pattern from inspiring English sources

Chinese luogu music is taught through sounds and speech patterns, using a method called luogujing, whereby each percussion pattern is given a name to let the performers know what instruments should be played and when.

"Eu Sei," one of her earlier songs, was rearranged to accommodate a rhythmic break in which the drummers built a slow-moving samba rhythm and the guitarist Davi Moraes scratched out a rapid counter pattern on his strings; at the end of Mr. Brown's "Soul by Soul," a fast percussion pattern emerged like a shot out of a languorous, chugging rock song.

The final type of musical accompaniment is the percussion pattern.

I laid all the samples out that I wanted to play on the MPD, then just let the track play and improvised a percussion pattern.

Snappy groovers with chattery percussion patterns underpin cinematic sax themes.

He seemed to hear percussion patterns evolving over a longer span than most drummers, so his work appeared loose and fluid, yet possessed of a sustained and evolving coherence over even the longest pieces.

He jacked up the music's built-in tension as the percussion patterns threatened to tear loose from the bass pulse and sounds mutated from drums and cymbals to clanking chains, staple-gun salvos and rattlesnake shivers.

Both bands played separately, and then joined with impressive coherence for three new compositions, juggling strictly counted percussion patterns, penny-whistle jigs, surges of sax improv and a few squirts of surreal humour.

Scat has dim antecedents in the West African practice of assigning fixed syllables to percussion patterns, but the style was made popular by trumpeter and singer Louis Armstrong from 1927 on.

His style incorporated an unusual range of sound colours; his percussion patterns sometimes changed from chorus to chorus, and the offbeat punctuation he provided for soloists and ensembles was often so active that it amounted to interplay.

As the lights came up, the band's nine young members were seen rooting in garbage cans, miming glue-sniffing, and shaking tin cans for loose change; then they got behind percussions sets made of overturned tins and pails, and beat out interlocking, orchestral percussion patterns.